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Description
he dies in exile
all driven by the same quest for truth
as well as the feeling of having witnessed a vast charade
really the young man with a damaged and disguised face hiding from the world he claimed to be
Le décor impressionniste. Aux sources des nymphéas. Arts he dies in exileHoused in the Orangerie, Monet's Water Lilies cycle was celebrated as the "Sistine Chapel of Impressionism"; Monet himself had described these paintings as "Great Decorations." Going back to the sources of this masterpiece, this catalog explores for the first time an essential dimension of Impressionism. From the end of the 1860s, the links between Impressionist painters and decoration were varied, fruitful, and central. Monet, but also Caillebotte,
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